For the last 60 years, therefore, the archtop jazz guitar has been amplified, with either one or two pick-ups installed, the latter typemaking for a more versatile instrument. Be that as it may, one of the clear object that is good acoustically. But to produce a top-quality acoustic archtop is the sternest test of any luthier, experienced or otherwise. Having been to the workshops of highly regarded builders such as Ribbecke, Benedetto, Campellone Grimes and Monteleone, I know that everyone of these luthiers is deeply absorbed in making archtops of the highest caliber, acoustically speaking. Benedetto’s 25th Anniversary Model, Monteleone’s exquisite “Radio City” model, Campellone’s “Special”, Grimes’ “35th Anniversary Limited Edition” and Ribbecke’s “25th Anniversary Edition” all come without pick-ups (though one can be added if desired). One only has to consult books like “The Acoustic Guitar” by N. Freeth and Charles Alexander, or “The Blue Guitar” by Ken Vose to reveal the extent to which luthiers are committed to producing beautiful acoustic instruments.
Yet the unassailable fact remains that the vast majority of jazz guitars are supplied with pick-ups. Some luthier builders employ one floating pick-up; others have one or two builtin. The key point here is that market conditions determine the nature of guitar, both its shape and looks, as well as its individual appointments.
Looking for an archtop guitar luthier? Fine Archtops hosts a directory of guitar makers who can make your dream custom archtop. Find the list at www.FineArchtops.com
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